Saturday Morning Cartoons - 1997 - Channel Surfing Edition - Full Episodes with Commercials DVD

The Kids' WB logo bursts onto the screen with its trademark frog mascot and signature jingle. This Saturday morning network bumper introduces the upcoming block of WB cartoons.

Massive monster trucks roar across an arena, crushing smaller cars beneath their enormous tires. The spot promotes a 1997 monster truck rally event aimed at young viewers and their families.

Holey Moley the bird soars across a desert sky in this Kids' WB animated series from 1997. The show satirized broadcast television with a roving traveling channel that aired anywhere it could.

An ornate stage curtain pulls back as the show opens, introducing the eccentric pirate broadcast crew of Channel Umptee-3. The title sequence sets up the misfit station's wandering adventures.

Stickley the bookworm and Sheldon S. Cargo race across a desert landscape with their signs in tow. The unlikely duo continues their broadcast-on-the-run while pursued by villains.

Ogden Ostrich and his book-toting bookworm sidekick scurry away from danger across the dusty plains. The animated misadventure delivers slapstick gags between segments of in-show programming.

Holey Moley the bird performs an exaggerated comedy bit while Stickley the bookworm reacts. The character interactions showcase the show's vaudeville-style humor and zany animation style.

The Channel Umptee-3 broadcast van bumps along through a barren landscape carrying its makeshift TV station. The mobile studio represents the heart of the show's pirate broadcasting concept.

Inside the Umptee-3 production van, the crew scrambles to keep the broadcast going. The cluttered mobile studio shows the chaos behind every renegade transmission.

Several Umptee-3 characters tumble together in a slapstick pile-up across the desert sands. The physical comedy and bright character designs lean into the cartoon's exaggerated style.

The shadowy bad guys of Channel Umptee-3 scheme behind their giant evil broadcasting machine. Their plot to silence the upstart pirate channel drives the episode's main conflict.

Holey Moley headlines a curtained stage show with a pair of dapper announcers introducing the act. The vaudeville framing device pokes fun at variety television conventions.

A swirling space tunnel and futuristic ship promote what appears to be a 1997 science fiction theatrical release. The dramatic visuals target Saturday morning viewers with family-friendly adventure.

A pack of animated heroes battles enemies inside an old-world building setting. The cinematic spot promotes a 1997 family animated film with sweeping action sequences.

The Kids' WB logo appears over a bright blue cartoon sky as upcoming programming gets teased. The network ID reinforces the channel branding between commercial breaks.

A washed-out scene showcases a household cleaning product in action with cheerful music. The 1997 advertisement targets parents watching alongside their kids during Saturday morning hours.

A toy truck races through a futuristic playset with dramatic sound effects punctuating each crash. The 1997 commercial emphasizes high-octane play patterns for young boys.

A sleek toy vehicle zooms through a vivid kitchen environment in vibrant slow motion. The 1997 spot showcases toy car features designed to thrill kid audiences.

Ogden Ostrich balances precariously on a tall ladder while another character looks on bewildered. The slapstick setup builds to an inevitable comedic crash.

A blue car speeds along a desert highway with the Umptee-3 crew once again on the run. The chase across barren terrain emphasizes the show's wandering broadcast premise.

A character labeled Bob Beeper appears with another teammate in a desert exchange. The named character bumper introduces a recurring roster gag from the Umptee-3 cast.

An on-screen news bulletin reading "It Came Up" cuts in with reporter Mark Evanier's writing credit. The faux news segment lampoons local broadcast journalism conventions.

Vintage black-and-white crowd footage flashes onto the Umptee-3 broadcast as historical filler. The retro insert mocks how cheap stations pad airtime with stock material.

A dramatic stage curtain reveals one of Umptee-3's bizarre showstopping characters. The grand reveal plays into the show's love of theatrical absurdity.

Ms. Holey Moley vamps with a flamboyant gentleman at her side during a stage routine. The duo's banter parodies vintage talk show formats.

The same dapper character points dramatically while Holey Moley reacts in mock outrage. The escalating gag plays out in cartoon broad-strokes humor.

Two stage performers strike exaggerated poses as the bit reaches its punchline. The animated facial expressions sell the cartoon's vaudeville flavor.

A character costumed as a knight in shining armor appears alongside Holey Moley. The medieval cosplay gag builds another layer of broadcast parody into the episode.

Ogden Ostrich strikes a pose against the empty desert backdrop. The character moment showcases the show's signature lanky animation style.

Ogden Ostrich kicks up dust while engaging in another goofy solo moment. The character comedy pulls big laughs from minimal setup.

A whole gathering of Umptee-3 supporting cast members cheers in a colorful crowd shot. The ensemble moment packs the screen with cartoon caricatures.

Holey Moley delivers a one-bird show in front of a glaring desert sun. The rooster character vamps for the camera in classic cartoon fashion.

A blonde singing character belts out a tune as part of an in-show variety act. The musical number delivers another vaudeville-flavored interlude.

The same blonde singer continues at a microphone with the desert sun setting behind her. Her solo wraps up the variety segment with a flourish.

The full Umptee-3 ensemble takes a final bow under the variety stage's lights. The production-number staging mimics classic TV finale conventions.

The blazing desert sun sits low in the sky as the Umptee-3 crew rolls toward the horizon. The contemplative shot transitions between segments of the broadcast.

A small capsule with a cartoon character inside drifts through the starry void. The space-themed insert spoofs old educational films and sci-fi serials.

The Umptee-3 gang gathers together for a triumphant group celebration. The crowd shot puts every recurring weirdo on screen at once.

A round brown creature poses on a desert mound in a quick character vignette. The minor character moment adds yet another oddball to the Umptee-3 menagerie.

The capsule with its tiny passenger continues its drift through the cosmos. The recurring space gag pops back in to keep the running joke alive.

Two characters strike absurd poses in another desert location. The character interplay leans hard into broad cartoon physicality.

The space capsule's interior shows a cartoon astronaut waving at the camera. The reveal punctuates the long-running orbital gag with a smile.

The astronaut's image pops up on the Umptee-3 stage's TV screen as part of the show. The meta-broadcasting moment pokes fun at on-air technical chaos.

A character waves frantically inside a richly decorated room with chandeliers overhead. The unusually upscale setting contrasts the show's usual desert backdrops.

Multiple characters mill about the elegant mansion interior in a busy ensemble shot. The fancy backdrop sets up an upper-crust comedy bit.

Two suited characters confront a third in a heated mansion-set exchange. The cartoon takes a sudden turn into melodramatic confrontation.

A pair of suspicious-looking suited characters gestures dramatically as they conspire. The villain banter advances the episode's running plot.

A group of identical-looking suited henchmen line up obediently before their boss. The matching minions provide a background army of antagonists.

A character darts away from pursuing suited henchmen through the mansion's hallways. The chase scene generates classic cartoon momentum.

One of the show's bad guys glares menacingly into the camera in extreme closeup. The exaggerated facial caricature captures pure cartoon villainy.

The suited henchmen gang up on a cornered character against the patterned mansion wall. The intimidation bit ratchets up the slapstick stakes.

A wide bug-eyed villain expression fills the entire frame. The grotesque caricature is pure exaggerated cartoon comedy.

A character with bandages wrapped around his head reacts in cartoonish pain. The injury gag plays to standard slapstick rules.

Riders shriek with delight as a wild roller coaster rockets along its track. The 1997 spot promotes a theme park or amusement attraction.

A red Hot Wheels car races around a wild track in a vibrant 1997 toy commercial. The product spot features rapid cuts and excited child voiceovers.

A futuristic vehicle barrels through a glowing high-speed track in another Hot Wheels-style spot. The 1997 commercial highlights wild loops and obstacles.

A young actor with a worried expression appears in dramatic theatrical movie footage. The 1997 trailer promotes a family theatrical release.

Live-action kids and adults appear in a creepy mystery setting promoting Goosebumps content. The 1997 spot showcases the popular kids horror franchise.

An adult and child explore a colorful play space in a family entertainment commercial. The 1997 ad promotes an indoor kids attraction or game center.

A New M&M's Minis tube becomes the focal point of a museum-set candy commercial. The 1997 spot introduced the new mini-sized candy product.

Pepper Ann skates across a purple background in this animated network promo. The energetic spot highlights the popular ABC One Saturday Morning series.

The Recess gang gathers on the schoolyard with TJ, Vince, Gretchen, and the rest. The ABC One Saturday Morning hit follows fourth-grade adventures during school playground time.

Pepper Ann sits worried at her desk in a moody scene from the Disney series. The show focuses on the redhead middle-schooler's everyday tween dilemmas.

The Kids' WB Wild logo lights up between two excited kid hosts. The network bumper hypes up the upcoming animated programming block.

A futuristic red and yellow toy vehicle blazes through stylized environments. The 1997 commercial showcases another high-energy boys' toy line.

A blue and yellow toy spacecraft rockets across a dynamic background. The 1997 spot keeps the action toy advertising momentum going strong.

A young fan watches in awe as Star Wars imagery comes alive around him. The 1997 spot tied to the theatrical re-release of the Special Edition trilogy.

A child plays with Star Wars action figures and a TIE Fighter in dramatic style. The 1997 commercial capitalized on renewed Star Wars merchandise demand.

A small toy spacecraft drifts in space alongside a "Batteries Not Included" warning. The 1997 Energizer-style ad reminded parents to buy batteries separately.

Clark Kent stands among a worried crowd outside the Daily Planet building. The Kids' WB animated Superman show delivered serious superhero adventures.

The Man of Steel stands ready in his iconic costume against a stormy night sky. The animated Superman flexes his hero pose during a high-stakes episode.

A misty, gray scene transitions between moments of the Superman animated episode. The atmospheric beat builds tension before the next confrontation.

The crew of Space Monkeys sits inside their cosmic spacecraft cockpit. The 1996 to 1997 syndicated cartoon followed monkey astronauts on intergalactic missions.

A muscular orange-haired antagonist scowls in a fierce extreme closeup. The cartoon villain telegraphs his menacing intentions to the heroes.

Two of the simian space heroes converse in their high-tech ship interior. The buddy moment lightens the action-adventure sci-fi tone.

Holey Moley sits behind the wheel of his red sports car peeling out of frame. The on-the-road segment continues the Umptee-3 broadcast saga.

The car blasts through a hedge in a slapstick crash through scenery. The destruction gag is classic cartoon visual humor.

A flustered driver behind the wheel reacts to chaos as smoke pours from his car. The vehicular mishap escalates the episode's chase sequence.

Holey Moley leans hard into a turn at the steering wheel of his speeding car. The cartoon driving sequence delivers exaggerated movement.

A view of planet Earth from space appears as part of an Umptee-3 broadcast. The cosmic shot adds production value to the pirate channel's broadcast.

A massive blazing sun fills the screen as part of the show's solar system content. The astronomical visual fuels another educational interlude.

The red sports car has now sprouted wings and soars over mountainous terrain. The reality-bending gag pushes the cartoon's wild premise even further.

The flying car cruises high above the ground beneath a setting sun. The aerial visual continues the elaborate transportation gag.

The flying car appears in the crosshairs of a surveillance scope tracking it from a tower. The targeting shot signals incoming danger from the show's villains.

Alien creatures swarm under blinding light as the MIB agents close in on an extraterrestrial threat. The animated spinoff captures the sleek action and conspiracy vibe of the hit film. A spider-like alien menace looms inside what looks like an industrial hangar. Agents J and K must contain the creature before it endangers civilians. A small spacecraft streaks through an asteroid field deep in space. Cosmic threats stretch the agency's jurisdiction beyond Earth's atmosphere.

Yakko, Wakko, and Dot dash across the Warner Bros. studio lot in their classic chaotic style. The Warner siblings are loose and ready for mischief. Wakko proudly displays a Dubba Dubba membership card with goofy enthusiasm. The bit plays up the cartoon's love of zany fake brands and word play. A sun-drenched desert sign for Dubba Dubba flashes onscreen with a sombrero topper. The visual gag punctuates a quick comedy beat between sketches.

Agent K smirks confidently in a tailored black suit as a mission unfolds. His deadpan demeanor never wavers even when alien activity spikes. Agent K scales a steel girder during a tense building chase. The animation pushes the action into higher-stakes territory than the live-action version. K wields the neuralyzer as he prepares to wipe witness memories of the latest alien encounter. Standard MIB protocol keeps the public oblivious. Agents J and K compare an evidence card in the back of a vehicle. Their rookie-veteran dynamic continues from the feature film into the cartoon. Tense hands grip in a moment of confrontation between human and disguised alien. Suspicion runs through every interaction in the agency's daily work. A scaly green alien with prison ID Z210V appears under harsh interrogation lights. The agency processes captured extraterrestrial criminals with bureaucratic efficiency. An MIB craft maneuvers through a futuristic corridor on a high-speed mission. The series leans hard into sci-fi spectacle between investigations. A glowing alien police lineup displays multiple suspect species at varying heights. Identification work drives much of the agents' casework.

Will Smith's Men in Black music video plays in a stylized animated treatment. The hit theme song crossed over into Saturday morning programming as part of the franchise rollout.

End credits scroll noting the show was developed by Duane Capizzi, Jeff Kline, and Richard Raynis. The names anchor the production team behind the animated adaptation.

A young woman appears in a stylized network ID for WB programming. The clip blends live-action energy with the network's youthful brand image. A blurred figure spins through a glowing visual effect during a network bumper. The kinetic edit promotes WB's lineup to its target teen audience.

An assortment of Burger King premium toys including action figures and dinosaurs sits ready for collection. The fast food giant pushed limited supplies to drive repeat visits.

A leaping orca toy plays out a cinematic beach moment from Free Willy 3. The promotion tied into the third installment of the family film franchise.

Tiny vehicles and accessories scatter across a playset spread in classic Micro Machines fashion. The Galoob brand keeps emphasizing the variety packed into miniature scale.

A red articulated toy helicopter spins its rotors in a child's hand against a sunset sky. The pitch sells freedom of flight and bold action play.

A row of stylized bottles dances in a wavy graphic spot for a snack or condiment. The trippy visuals lean into 1990s graphic design sensibilities.

A girl reacts with surprise to a Pringles can against a swirling blue dot backdrop. The chip brand aims at energetic kid-targeted snack messaging.

A live-action party scene unfolds with WB stars in formal attire. The bumper teases one of the network's prime time soap dramas. Two young men have a tense conversation in a casual indoor setting. The clip continues the teen relationship drama tone of WB's evening lineup. A crowded scene shows a confrontation in a public space among teens and adults. WB primetime drama promos lean heavily on emotional moments.

A schedule card lists Saved by the Bell at 5:00, Family Matters at 5:30, and Fresh Prince after for KTLA WB5. Local affiliates filled afternoon blocks with sitcom reruns.

An animated daytime exterior of a stylized building anchors a network ID. The crisp visual underscores the WB's clean broadcast branding.

A nearly black frame shows traces of a dim landscape during a fade. The transition leads into the next episode segment.

A figure stands beside a graphic numeral on the bizarre alternate-reality kids show. Channel Umptee-3 brought avant-garde visual humor to the WB schedule.

An alien with twisted horns and a respirator threatens an MIB agent at gunpoint. The series often features grotesque alien antagonists with elaborate designs. A horned alien recoils with menace, eyes wide in animated rage. Tense alien standoffs drive much of the show's episodic conflict. A wrinkled elder alien lounges in an office library setting. Information brokers and informants populate the agency's contact network. Agent J grins while holding two small alien creatures that resemble rodents. The lighter side of the agency shows up in absurd alien encounters. An armored horned alien squares off against another in a dramatic standoff. The animated style heightens the alien-on-alien combat for action-hour pacing. Agent K speaks into a phone with practiced calm during a field operation. Bureaucratic communication remains essential even amid alien chaos. Close detail of a wrinkled alien face fills the frame in an interrogation moment. The animation team leans into facial expression for drama. Agent K stares down an off-screen threat with steely focus. His unflappable demeanor anchors the series' tone. Agents J and K travel together in their iconic agency vehicle. The buddy-cop dynamic translates seamlessly to animation. K and J approach an MIB craft for deployment to their next assignment. The agency's tech arsenal supports rapid response across the globe. An armored alien howls in fury during a violent confrontation. The animated antagonists frequently lash out with raw emotional outbursts. Agent K lies in repose with an unreadable expression after a difficult mission. The seasoned veteran rarely shows vulnerability. A group of alien creatures gathers near a domed structure in a chaotic scene. Mass alien activity sometimes overwhelms the agency's containment protocols. An alien shrieks in agony during an intense confrontation. The high-stakes action keeps episodes pulsing with energy.

Kids splash and laugh in a bubble-filled bathtub for the classic bath product. Mr. Bubble continued its long-running brand presence into the late nineties.

A young girl shows off a small doll figure in a bath product spot. The targeted ad pairs imaginative play with daily routine.

A mermaid doll glides through magenta-lit underwater play. The toy promises mystical aquatic adventures for kids.

The animated lead character zooms across a city skyline in mid-action. Damon Wayans developed the show based on his own childhood experiences. A bulldog-styled animated jet vehicle hovers above the cityscape. The show mixes urban life with cartoon flights of imagination. An aerial city view sweeps through the show's stylized urban backdrop. Brooklyn-flavored neighborhoods anchor the series' setting. The young protagonist with red cap dashes through a lively scene. The series follows his everyday life with humor and heart.

The show's brightly colored title card fills the screen with a "Today!" tag. WB used clear announce graphics to orient kids on the schedule.

A neon ALERT graphic flashes in pinks and reds during a high-energy promo. The bold visuals tease an upcoming action-cartoon block.

A woman laughs warmly in an outdoor environment during a personal moment. Episodes often explore the agents' off-duty interactions. Two armored aliens engage in a confrontation with weapons drawn. The series delivers consistent sci-fi action throughout each story. A woman walks a small alien creature like a pet through a park. The series finds comedy in normalizing alien presence in human routines. An alien character feeds with comic relish on something offscreen. Quirky alien behavior breaks up the procedural action beats. Agent J converses with a colleague in an apartment kitchen interior. Domestic settings ground the cosmic threats with everyday reality. A horned armored alien appears mid-combat in a dramatic stance. The villain designs draw heavily from comic book aesthetics. A blank corridor sets up a tense scene before alien activity erupts. The series uses architectural emptiness to build dread. An alien with respirator and ridged skull reacts to events in a lab setting. C